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Should I edit my digital images?

From the time that I can recall, the digital image straight out the digital camera, were generally speaking flat, lifeless, not interesting, plagued by color casts, typical inconsistent color rendering on a camera to camera basis, often over sharpened, often with signs of to much noise reduction and on and on the list goes. I think it is difficult to have a more depressing, but true, introduction to an article on digital photography. The few Olympus enthusiasts like myself, that still dare to voice public opinions generally believe the Pro Grade E5 DSLR has the best quality out the camera JPEG image. That said I recently saw a few E5 images that were absolute stunning but I also saw many that have much of the above described trademarks. What are the causes for differences between the one and the next image?

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Figure 1 - The above image was taken with a Canon 7D and is not edited


Looking at the above image description, I can hear many Canon supporters say, now what is wrong with this image Siegfried? For one, let me tell you a small secret, the 7D is one of the worst dynamic range performers I ever owned and believe me I tried a few cameras. Don't get me wrong, it is a great camera and I love the 7D, but it is far from being the perfect camera. If I owned an E5 today I would not switch over to a 7D and the simple reason is they both have wonderful strength's plus not so exciting weaknesses. If you read about these two models on the top review websites then you would simply believe the 7D is by far the better one of the two. Before I get carried away, lets continue talking about the images we get from digital camera bodies.

The above image (Figure 1) I will for example not use myself as it is, plus I would not forward it to any of my clients without spending some time on it in Photoshop. Again I hear voices saying, but I refuse to spend time in-front of the PC, I want them good out-the-camera. The good news is that it is possible to get great images out-the-camera but and again I start with a BIG "but"…….. Yes it is true, when you take the time to correctly set-up your camera plus you take the time to really dial in the correct exposure settings, only then the chances are that the image will not look like the one above. The worst possible mistake many forum trained hobby photographers does is to dial in "corrective" camera settings. These are adjustments that alter the camera sharpness, image noise settings, brightness, saturation, all settings that could typically damage JPEG files.

Allow me to add one more aspect to the above discussion. I believe that folks that rely too much on the camera image processing engine, that those photographers never really grow to develop their own photographic signature. What signature do you refer to Siegfried? In today's competitive market it is critical for each photographer to develop his or hers own photographic signature. What in your images identify with your own style and how does people know that this is an image from the photographer, Markus, for example? The only way to achieve that ability to recognize an image style is to develop a unique image style of your own. To do that you need to master a minimum amount of image editing techniques or alternatively you really need to master you camera and the setting up your camera for a particular image or scene.

Consider the following example. I came to you and asked you to take a great looking portrait image of me. If you are not comfortable with how you will ask me to stand and pose during the shoot, what settings you will use, how you will apply your external flash unit, if you had only the slightest fear or concern doing the shoot then you are not ready getting the most out your camera. If your answer was yes you're OK taking the image then my next question is, will you over or under expose? Those who prefer to get the right image out the camera should really consider getting to better know a package like Aperture 3 on Mac or Photoshop Elements. Personally I make use of the following strategy. I do use carefully selected images out my camera and I do prefer to use the bulk of my images directly out the camera. You will be surprised at how well printed images look which are directly out the camera. Less than 20% of the images I take I carefully edit to get the result I want.

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Figure 2 - Image cropped and edited in Photoshop Elements


How can one develop this signature we talked about in the previous paragraphs? There are various ways to do develop an own signature, for example one can decide to do only one type of photography, something like wedding photography, macro photography or portraits. Doing that people will associate you with the type photography you do most. Another option is to adapt one or more specific styles of photography which will tell clients that it is your work. These different styles could be the classic HDR type look, some photographers use a special way of over saturating images, it could be the use of unique in-camera filters and on and on the list goes. Finally one can add a physical name or signature to the bottom left or right of the image. I think a good example of somebody we all know well and who successfully adapted a unique image style is Simon. Just by looking at Simon's portrait work in our forum and one could guess who the photographer is. In conclusion one can say the image in figure 1 is typical a mass type image and therefor straight out the camera. In figure 2 one start having a closer look because its clear that this image has a unique signature and most probably come from an more experienced photographer.

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Figure 3 - Olympus E-PL2 image not edited


Olympus is known for its good JPEG files or the JPEG image-out-the-camera image. These Olympus out-the-camera images are typically colorful, they are reasonably true in color and they have good levels of image details or image information. Having said that it is also true that the above E-PL2 or it could even be an E5 image belongs to the mass-image category and it therefor does not offer anything unique that will allow the customer to link the image to the photographer.

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Figure 4 - EPL2 imaged edited in Elements


The final image (figure 4) I edited or changed aggressively to show you what can be done. This image was not edited using special HDR software or any special technique that requires higher levels of experience. In reality, a basic 4 steps procedure was applied to the above image. As said I over processed the image on purpose and I like to invite you to spend a few minutes to really study the two pictures (Figure 3 & 4). By doing that you will see that picture 4 has a lot of potential and that is the result of using the right editing technique. It also has a few problem areas one should avoid, more about that in my next article.

In my next article I will discuss a few of these "high power" techniques that can help you to develop your own unique signature. Happy shooting…..

Siegfried


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Knowing your Equipment

Every 12 months a new camera body or high end compact camera are introduced to the trusting photo community. Small Sensor Compact System Cameras has become the fastest changing segment with new bodies launched in less that 12 month cycles and in most cases using the same 12MP sensor. Not only the cameras are changing every 12 to 18 months, software companies also learned just how lucrative these updates are. Many of us have been caught up in the past, always ready to try that improved new sensor, better processor and all that are continuously presented as new and improved to the photo community.

Popular forums are fighting to announce new arrivals first, preview them or even test these new cameras, software and lenses first. Many people go buy new equipment just so they can be the first to report their findings on forums. While all the testing, talking and reviewing are happening the camera companies are writing higher profits and the software companies are growing like never before. Contrary to the enormous growth discussed, the 2nd hand camera market collapsed virtually completely. Never before has new cameras lost their value as fast as what is happening in this current over saturated digital camera market, we live in…..

Top-View

In August this year my son's wedding happened and just prior to the wedding he gave me his "old" 7D Canon as a gift. I was so thrilled with the new toy that I decided to use the new camera on the wedding. No need to tell very few images were good or even useful. This weekend my daughter asked me to take a few pictures of her, she likes to have something new for her facebook and other. In the interim I used the 7D much more but still I am not as comfortable with it as I am with my trusty Olympus, E-PL2.


My first reaction was to take the better camera and I reached for the 7D. As I did that I realized it is not 100% true and I opted for the one I know best, the E-PL2. In addition it so happened that I worked on CS4 which I know reasonably well. I therefor stayed with what I knew best. I added a few of the images I took with my E-PL2 for you to see. I would not have had similar results with the 7D, first because it is not necessary a better camera and secondly it is the users experience with his or hers camera that makes the difference.

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I used several unique portrait techniques to edit these images. I plan to add these techniques to the Expert Page during those two weeks over year end, look out for them as they are really powerful.

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The best Photoshop training source I have found to date is that of the web service called, Kelbytraining. Scott Kelby and people like Matt Lloskowski have been closely linked with Adobe Photoshop for as long as I know. I bought a few of their books over the years plus I have been a keen supporter of a few excellent magazines over the years.

Today I only subscribe to Kelbytraining and am 100% satisfied with the level of training I get, the huge database with training material and the regular updates and new material produced. One of the trainers, Calvyn Hollywood, a German guy is one of my favorite trainers at the moment. He introduced a great technique for getting the detailed type look seen in the image with the blue background. Calvyn uses a technique he calls FAD, search for it and try it…….



I started my article talking about the rate with which new equipment are presented to us. I will be telling a lie if I say I do not enjoy the technical side of digital photography or if I said I did not get completely excited with holding that new toy in my hand. Does the new camera or the new software produce better images? Personally I continue to get the best results with those bodies and editing software I know best…….

Siegfried

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Erik Larsson

Erik has been a long term follower of the Photography is Fun website and he always send me a few of his images after being on holiday or when he was out enjoying nature. I picked two of Erik's autumn images to show you guys.

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The next image is an interesting mix of strong colors. I particularly enjoyed the deep blue background against the orange like autumn foreground. The only thing I like to recommend Erik is to up the exposure with one stop. You can do that with the curves function in Photoshop.

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I think it is a lovely time of the year to start thinking of a calendar for next year or to think of doing your own December festive season cards to the family. As something more special you could decide to create a book for somebody special. Last year my son made my wife and me a photo book with a selection of great images of his and his fiancé. That is something really special.

I have promised more guys to show their work on the site, please be patient guys, the only thing keeping me from placing more readers images is finding the time to update the site. I really look forward placing more reader images because I have seen some amazing work and talent recently. If you think you have something interesting to show or you have a interesting event to report on then please do not hesitate to contact me.

Siegfried


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